Tag Archives: Julianne Moore

SAGS 2013: If you care what they wear

Jane Krakowski wore KauffmanFranco – best color, unforgivable tailoring.

Zac Posen really only makes variations of one basic gown, but it is a damn fine gown – as seen here on dingbat Amanda Seyfried.

Boldest couple debut: Vincent Kartheiser and Alexis Bledel.  Our little Rory Gilmore loves her co-stars doesn’t she?

Anne Hathaway demonstrates the most ill-advised use of a Giambattista Valli dress.

The Jenny Packham girls, the better version above on Jenna Fischer and the lesser below on Kelly Osbourne.

The head to toe hell no – Sofia Vergara in Donna Karan.

Claire had nowhere to go but down after her last showing, but the aging makeup and side boob vadge action aren’t working in this Givenchy. Giuliana is showing positive progress on probation after her last fashion felony in this far less offensive Max Azria.

Elisabeth Moss gives some gams in Dolce & Gabbana.

Can you feel the tension in this high-fashion face off between January Jones in Prabal Gurung and Jessica Paré in Jason Wu?  The straps on the Jason Wu look a bit like suspenders.  I appreciate that January Jones doesn’t dress for the men, but could she pick something flattering just once?

Most timelessly spectacular putting all these young bitches to shame – Mizz Jessica Lange.

Jessica Chastain contends for best dressed in Alexander McQueen, but the lipstick is wrong and she needs to whiten her teeth.

Gorgeous and talented Jennifer Lawrence has no fucking clue how to dress herself.  Christian Dior can throw couture at her the whole award season through, and she’ll waste every opportunity with the wrong hair, jewelry, and makeup.

Julianne Moore should only let Tom Ford dress her because this Chanel is a fucking floral flat-tittied disaster.

What do we think of these two?  Jennifer Westfeldt looks better than usual if a tad boobish in Blumarine.

Let’s start with the hair – an obvious hot mess, move down to the 3D bustage on this strange Vivienne Westwood, glance at those lame duck shoes and declare Nicole Kidman an epic dud.

Me likey Nina Dobrev in this Elie Saab, even if it is quite derivative of Emma Stone in Calvin Klein from a season or two ago.

Look at our little Kiernan Shipka all grown up in this Oscar de la Renta.

Sunday with Katie Holmes

GOLDEN GLOBES 2011: the chic and the weak

Best of the night, Anne Hathaway in a modern fashion-forward Armani Privé gown (featured here in best gowns of Fall 2010 waaaay back in August).

Worst of the night, Heidi Klum in Marc Jacobs serving Neapolitan nausea.

Calvin Klein Collection provided intense color and clean lines resulting in two of the most refreshing looks of the evening – Emma Stone and Claire Danes. The two biggest disappointments were Jennifer Lawrence in Louis Vuitton and Scarlett Johansson in Elie Saab.  These were not the most offensive gowns of the evening, but neither selection does its wearer justice.  Since this was one of Scarjo’s first appearances post-divorce announcement, her failure to turn it out is really inexcusable. More than ever, these mega-gowns feel really antiquated.  Catherine Zeta-Jones goes to prom in Monique L’huillier

Pretty pink princess Lea Michele joins her in Oscar de la Renta

Eva Longoria looks like she’s dragging her grief behind her in this Zac PosenWho invited Hewitt?

From the washed-up diva collection, Zuhair Murad dressed both Christina Aguilera and Jennifer LopezAwkward and abysmal asymmetry abounded; unfortch, no one executed this look correctly.

Julie Bowen in Tadashi Shoji - we want so much more for you Claire.

Julianne Moore tried her best to work a Lanvin dress that was in desperate need of a good steam.  Nicole Kidman bored us in Prada.Granny gown girls: Leighton Meester misfired again in Burberry and Michelle Williams continues her defiantly unappealing streak in Valentino. The two most overrated?  Sophia Vergara in Vera loves-a-sash Wang and Angelina Jolie in Versace.  Hey Angie, Joan Collins called and demanded you return her gown.  The most stylish and appropriately dressed youngin’ was Hailee Steinfeld in Prabal Gurung. Sarah Hyland could have used some guidance away from this fug Max Azria. Many folks will criticize Natalie Portman’s Viktor & Rolf gown, but who can be mad at this feminine display of whimsy?  Olivia Wilde deviated from the crowd with this full-skirted, sparkly, starry night Marchesa gown.  

The titty committee, January Jones in Versace and Halle Berry in Nina Ricci. The Glee girls gave good gownage.

Single-note strong colors adorn Kyra Sedgwick in Emilio Pucci and Elisabeth Moss in Donna Karan.

Most random?  A heavy-banged Sandra Bullock in Jenny Packham

The Rachel Zoe Project: MilaNo Gowns

Just days before the Oscars, Team Zoe multitasked trying to cover the collections in Europe and collecting gowns for the awards show in L.A.  Even though the best frocks seemed to be slipping through her fingers, Zoe dropped everything to rush to London at Kate Hudson’s beckoning.Aflutter with an A-list celebrity contact-high, Zoe was too concerned with wedging her head up Hudson’s ass to panic over her unmet professional obligations.  Even though Burberry surely sent over a narrow range of options for Kate to wear to the show, Rachel took credit for Hudson’s look.  A puffy-faced Kate rocked a military pea coat over a sequined mini dress in two different shades of green.

While imperfectly executed here, ladies take note, don’t run all over town, in the middle of the winter, in a minuscule dress, with no coat, freezing your ass off.  Consider a cocktail-military combination and challenge the traditional assumptions of femininity, masculinity, day, and evening.  Remember, shivering is not chic. Post-show, Kate and Rachel debated the merits of men in turtlenecks (Rachel pro, Kate con).  Then Kate broke out into a few lines of Fleetwood Mac’s Silver Springs a capella, which was simultaneously annoying and impressive.Rachel and Kate returned back to the hotel room where Rodger was curled up in his robe on the bed.  Kate and Rodger double-teamed Rachel on the baby issue, but it’s kind of obvious she doesn’t want one.  This would be Zoe’s wisest decision since the last thing the world needs is any more people.

Rachel raced back to Milan to join Brad for the shows.  They met at a vintage store, Rachel in a Yves St. Laurent leopard trench, and Brad channeling Halston in a controversial turtleneck.  Rachel justified her conspicuous consumption by rationalizing she would model her dreadful QVC line after her vintage finds.  Brad walked away the true winner, scoring a ferocious felt gray wool man cape.First Alberta Ferretti, a purveyor of modern, feminine, Italian elegance.   The collection lacked any really Oscar contenders, but watching Rachel kiss designer ass never really gets boring.

Next Team Zoe ventured to the Missoni showroom where we met up with the (overrated) Margherita Missoni and her (underrated) mother, AngelaMargherita showed the group a bag with a pocket made of chicken feet, and this was Rachel’s reaction.Can’t stop by Milano and not drop in on Versace. Brad even donned his D jacket for DonatellaDonatella and her gigantic lips greeted a gushing RachelBrad turned splotchy red, shifted his weight, and wore a tight nervous smile as he cradled Rachel’s coat like her little fur bitch.The show itself produced nil in the way of Oscar options, leaving Team Zoe in much the same position as when they commenced Milan Fashion Week.Later that night, Rachel and the rest of Team Zoe argued over whether she should wear thigh-high boots or patent leather platform wedges.  Even though the boots were better and more fashion forward, Rachel chose the same tired platforms we’ve seen her in 1,000 times.  Shoes aren’t the problem.  She’s so fucking skinny she looks like glamour granny in everything she wears anyway.

At the Bulgari event, Julianne Moore barely tolerated Rachel’s superficiality.  When Zoe inquired as to what Moore would don at the Oscars, Julianne answered Calvin Klein.  This revelation smacked Rachel back into the reality that neither of her clients have gowns for the Oscars taking place less than a week away.Back in L.A., a few dresses, including the Oscar de la Renta princess gown, began to trickle into the studio.  However, Rachel began to suffer the harsh consequences of her irresponsible decision to flee to London to lick Hudson buns when she lost three of her top Oscar choices to other stylists.Rodger tried to talk Rachel off the ledge by arguing that it isn’t a reality until the client knows about a dress and loses it.  Irate, Rachel countered, “But you know when you know it existed?  When it’s on another fucking actress, that’s when you know it existed!”

a single man

In keeping with our Tom Ford theme, let’s discuss A Single Man, his gorgeous directorial and screenwriting debut.  Now much of this movie looks like a luxury cologne ad, but that’s not necessarily a bad thing.

Julianne Moore, as usual, sublimely delivers a layered performance as Charley.  Watch for the dance scene between her and the protagonist George, played by Colin Firth. Impeccable fashion, hair, and make-up are a given with Mr. Ford at the helm, but his filmmaking doesn’t rely on style over substance.  Firth’s nuanced performance captures the deep grief and profound sense of loss that comes from unexpected death.  While Ford’s use of color saturation for dramatic and emotional emphasis created visual interest, his use of heavy-handed sound effects is distracting.  Overall, a well-acted, well-written, and well-directed film.  Smooches Tom Ford.

Sunday with Tom Ford